What never ceases to surprise me about Mali is that traditions are still alive here. I don’t know if I expected things to resemble Europe or the United States, but I certainly didn’t expect so much that is specific to the continent and the region.
People have their own way of dressing (the women wear these wonderfully colored dresses), of doing their hair (all woment have braided hair and all men are almost shaved), of greeting (how did you sleep? how are your children?), and the list goes on. The food is served differently (there is bowl of grain with meat and sauce in the middle and people eat out of it with their (right!) hand). There is a different conception of time.
Then there is a mix of indigenous and Islamic traditions. The radios play here Islamic chants as well as music played on the bala, ngoni, djembe -- instruments that you don't get if you go far away from here. And there is an entire class of jelis, who are everything from oral historians to MCs and from preachers to personal counselors. They are very well educated and play instruments that only their class can play. And people look up to them more than we look up to anyone (human) in the West.
Sure, there is modernity here too. There is Internet, air conditioning and there are SUVs (not to mention cellphones). And there is rap, jeans and filesharing. But what seems to be prevailing are the interests, activities, hierarchies, that belong to this place. If you go on a cab ride, they might play some rap because they know you're American, but their normal inclination is to play some of the local music. Last time I went to an Internet Cafe, the guy sitting next to me was listening to two jelis on a boat having a (sung) conversation.
And then there is a layer of tradition you don't even see. Our balafon teacher here, Neba Solo, was explaining: "the balafon is a very very very important instrument." I though to myself: it must be because of of the fact that it can produce a variety of clear, precise sounds that stand out in performances. His explanation had nothing to do with this: "it is because it is made from objects that have all finished their life and begin to live again. For instance, the trees it is made from have died sometimes as long as 10 years ago." I find the idea that this thought might still be valuable to him or anyone playing or hearing the instrument... amazing.
Which all makes me think about what Europeans or Romanians or Americans all have to show for themselves. How much of what was specific, unique, and kind of immaterial is still living - in our houses, ipods and thoughts? We were walking around the market and the Muslim prayer began. 80% of men were already on their prayer mats, facing the mosque, and immediately began bowing when the voice was heard from the speaker. This was so unlike anything else I had experienced in the places I usually live. A colleague said: "I felt so godless that moment."